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Fugitive Pieces

Audiobook
0 of 1 copy available
Wait time: At least 6 months
0 of 1 copy available
Wait time: At least 6 months

In 1940 a boy bursts from the mud of a war-torn Polish city, where he has buried himself to hide from the soldiers who murdered his family. His name is Jakob Beer. He is only seven years old. And although by all rights he should have shared the fate of the other Jews in his village, he has not only survived but been rescued by a Greek geologist, who does not recognize the boy as human until he begins to cry. With this electrifying image, Anne Michaels ushers us into her rapturously acclaimed novel of loss, memory, history, and redemption. As Michaels follows Jakob across two continents, she lets us witness his transformation from a half-wild casualty of the Holocaust to an artist who extracts meaning from its abyss.

Filled with mysterious symmetries and rendered in heart-stopping prose, Fugitive Pieces is a triumphant work, a book that should not so much be read as it should be surrendered to.

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    • Publisher's Weekly

      May 25, 1998
      Three collections of poems by novelist Michaels (Fugitive Pieces) have been brought together for their first U.S. publication: The Weight of Oranges, Miner's Pond and Skin Divers. As the sensuousness of these titles suggests, Michaels goes for a portentous lyric well-stocked with physical details, action verbs, simile and metaphor--"we are black smudges on the frozen river"; "We were sent for a reason,/ like curtains blown in from an open window/ to knock over a cup." When she writes from a perspective one assumes to be her own ("Miner's Pond"; "Words for the Body"), Michaels's lush and elliptical narratives are winning. Increasingly, her poems take historical figures and their lovers as subjects and speakers, echoing her work in historical fiction, and including Alfred Doblin, Johannes Kepler, Karen Blixen, Amedeo Modigliani, Anna Akhmatova and Marie Curie. These poems don't always carry the freight of their subjects' fame lightly, though, and by the book's second half the metaphors begin to misfire as bad homages, as in the Akhmatovesque "Birds plunge their cries like needles/ into the thick arm of afternoon." The worst merely recap generic moments of pathos in a tone more borrowed from biography than reanimated by sympathy. Fans of fellow Canadian and Knopf novelist-poet Michael Ondaatje may find much to admire here though, and the better poems should find a significant audience.

    • AudioFile Magazine
      Marinker's voice is gentle, his delivery precise and sensuous. He makes you aware of the weight of each word, aware that the author--a Canadian poet--has made deliberate selections. Her first novel is very much about language and about memory, its ability to sear, to heal, but most of all, to transform. The story concerns a Polish-Jewish child, Jakob Beer, who witnesses the murder of his family at the hands of the Nazis, and his rescue by Athos, a Greek geologist, who secrets the boy to his Greek island. Under Athos's infinitely humane tutelage, Jakob will learn the redemptive power of love. Fugitive Pieces is a difficult, layered novel, which doesn't follow a strict narrative path. That's why Marinker's reading, passionate but measured, is so effective, forever keeping the listener in the moment. M.O. (c)AudioFile, Portland, Maine
    • AudioFile Magazine
      The dual narration of Munro and Matamoros lends a surprisingly deep sense of truth to FUGITIVE PIECES. A child's life is saved by a Greek geologist, who rescues him from hiding during WWII. Decades later, as an adult, he revisits the past by chance, when he meets a young professor whose parents survived the Holocaust. Listeners will be at once intrigued and deeply moved by individual voices that play off each other with a dialogue that seems almost operatic. There's a solid story here too, which makes listening even more fulfilling. R.A.P. (c) AudioFile, Portland, Maine
    • Publisher's Weekly

      Starred review from February 2, 1997
      Searing the mind with stunning images while seducing with radiant prose, this brilliant first novel is a story of damaged lives and the indestructibility of the human spirit. It speaks about loss, about the urgency, pain and ultimate healing power of memory, and about the redemptive power of love. Its characters come to understand the implacability of the natural world, the impartial perfection of science, the heartbreak of history. The narrative is permeated with insights about language itself, its power to distort and destroy meaning, and to restore it again to those with stalwart hearts. During WWII, when Jakob Beer is seven, his parents are murdered by Nazi soldiers who invade their Polish village, and his beloved, musically talented 15-year-old sister, Bella, is abducted. Fleeing from the blood-drenched scene, he is magically saved by Greek geologist Athos Roussos, who secretly transports the traumatized boy to his home on the island of Zakynthos, where they live through the Nazi occupation, suffering privations but escaping the atrocities that decimate Greece's Jewish community. Jakob is haunted by the moment of his parents' death--the burst door, buttons spilling out of a saucer onto the floor, darkness--and his spirit remains sorrowfully linked with that of his lost sister, whose fate anguishes him. But he travels in his imagination to the places that Athos describes and the books that this kindly scholar provides. At war's end, Athos accepts a university post in Toronto, and Jakob begins a new life. Yet he remains disoriented and unmoored, trapped by memory and grief, "a damaged chromosome"--the more so after Athos' premature death. By then, however, Jakob has discovered his metier as poet and essayist and strives to find in language the meaning of his life. The miraculous gift of a soul mate in his second wife, "voluptuous scholar" Michaela, comes late for Jakob. Their marriage is brief, and ends in stunning irony. The second part of the novel concerns a younger man, Ben, who is profoundly influenced by Jakob's poetry and goes to the Greek island of Idhra in an attempt to find the writer's notebooks after his death. Ben is another damaged soul. The son of Holocaust survivors, he carries their sorrow like a heavy stone. Emotionally maimed and fearful, Ben feels that he was "born into absence... a hiding place, rotted out by grief.'' Yet when it seems that the past will go on wreaking destruction, Jakob's writings, and the example of his life, show Ben the way to acknowledge love and to accept a future. These intertwined stories are related by Canadian poet Michaels in incandescent prose, dark and tender and poetically lyrical. A bestseller in Canada, the novel will make readers yearn to share it with others, to read sentences and entire passages aloud, to debate its message, to acknowledge its wisdom. 35,000 first printing.

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